
Tag Archives: Daniel Chamberlin
Fresh Arthur Headers

Two more of my photos — from Joshua Tree’s Squaw Tank and Ralston Peak in the Desolation Wilderness — are featured as headers on the Arthur Magazine website. Color me “stoked.”

Squaw Tank, Joshua Tree National Park – 9-10 May 2009
23:49:29 – 00:04:48
Full moon exposures from the night of 9-10 May 2009. Documented at a backcountry campsite on the northwestern slope of the Hexie Mountains, near the Squaw Tank monzogranite in Joshua Tree National Park.
01:11:09 – 01:23:55
01:30:39 – 01:45:02
01:54:15 – 02:09:05
Dread Zeppelins: Letter from West Texas

Fresh material from my most recent trip to Far West Texas is now up on the Arthur Magazine site. Click here to read “Dread Zeppelins: Letter from West Texas,” a short photo essay about the the U.S. Air Force’s tethered aerostat radar system — aka “the drug blimp” — based outside of Marfa, TX.
Arthur Headers
The Sodfather – Altadena, CA – August 2007



Tim Dundon is California’s self-proclaimed “Guru of Doo Doo,” a visionary compost wizard living in a tropical forest that lies between Los Angeles and the San Gabriel Mountains in the unincorporated community of Altadena. I profiled Dundon — an extremely knowledgeable, endlessly charming and slightly paranoid man — for the December 2007 issue of Arthur Magazine. “The Sodfather” ran with absolutely gorgeous photography by Eden Batki — the above photos are my own.
The original version of the story can be found on the Arthur Magazine website. An earlier draft of the story that includes extra material regarding Dundon’s paranoid fantasies regarding the Illuminati, the Moonies, et al, can be found after the jump.
Kelso Dunes, Mojave National Preserve (Part 3 of 3) – January 11 2009
Kelso Dunes, Mojave National Preserve (Part 2 of 3) – January 11 2009
Kelso Dunes, Mojave National Preserve (Part 1 of 3) – January 11, 2009
Light Pollution Series One: Artifical Night Lighting and Photosynthetic Organisms

The photographs in this series were on display at Art Center College of Design in Pasadena, CA from December 7-11, 2008.
Urban outdoor lighting produces enough spectral pollution to turn the city’s night sky into an orange-grey dome, smudging out all but the brightest stars. Of the myriad organisms affected by humanity’s colonization of the darkness by way of electromagnetic radiation, plants are of particular interest. Plant life cycles revolve according to their light environment: Photoreceptors tell them when to extend stems or broaden leaves; when to germinate and when to die.
These images are an examination of photosynthetic organisms as painted with the palette of artificial night lighting. The viewer’s attention is drawn away from the horizon — where the natural light has disappeared — to emphasize the industrial lighting on the organic textures. Tree limbs are framed against the night sky, nebulous clouds of leaves reflecting the glare of sodium vapor security lamps; groundcover is shot from directly above, micro-landscapes rendered in the orange halide tones of residential streetlights.
All of these images were made after civil twilight — when the sun is six degrees below the horizon — using available light with exposures from 20 to 696 seconds.












